Welcome to Visual Hierarchy, an online visual playground. Gathered here are pictures I make. Visual Hierarchy is a laboratory. Research is done in a wide variety of mediums.
This painting was documented and that footage was transformed into this video. My goal is to show some of the behind the scenes processes of making a painting as well as the transformations that can take place in an artwork.
The song “Bitter Suite” by MoPetto was used in this video. Check out more MoPetto Here.
Jason Lanka’s massive drawings and photos are now on display in the Atrium space in the Union. They will be up for several weeks. Here are some images of his work and some information about his work.
Boundary; something that marks or fixes a limit (as of territory). The line that divides one area of land from another.
The space at which our culture comes in contact with the environment inspires my creative work. Much can be understood about the nature of how our society defines its role and place within the natural world by the observation of this boundary.
I seek to address the demarcation of our species’ relationship with the land. Am I of the land or in the land? Each piece made within a lineage of exploration has set out to answer this question. Our identity as people and a nation are so often defined by our place within our environment and how we view our relationship with the natural world.
Kate Brandt Pink opens at the University of Wisconsin Union Art Gallery tomorrow (friday march 5th) from 5-8pm
MILWAUKEE—KATE BRANDT PINK, an international group exhibition, will take place at the University of Wisconsin-Milwaukee from March 5, 2010 to April 2, 2010 in the Union Art Gallery. The art in the exhibition confronts power roles, gender, race, fame, and class issues within the perspective of the greater arts community. It opens with a reception from 5-8pm on Friday, March 5. The exhibition is free and open to the public.
In 1960, neo-Dada artist Yves Klein made a splash at an exhibition by using nude female models as living paintbrushes, making work with his signature color, International Klein Blue. UWM artist Kate Brandt comments on, confronts, and even exorcises the ghost of this “legendary” artist with a group exhibition of visual performance artists all of whom use her self selected shade of pink. In their work, these contemporary artists address ideas of gender, power roles, race, fame, class issues and more in a variety of mediums, including live performances (at the opening reception), photography, sculpture, video, and painting.
Artists include: Kate Gilmore, Ryan Trecartin, Franko B, Stuart Semple, Heather Warren-Crow, Kate Brandt, Kimberly Brandt, Cassandra Smith, A. Bill Miller, Emily Walley, Kristen Olsen, Naomi Shersty, Sarah Holden, Anna Helgeson, Richard Mutz, and many others.
***Heather Warren-Crow invites viewers to participate in her work by documenting her opening night performance using cell phone cameras. Please make her dream come true by posting a short video to YouTube and emailing the link to art_gallery@uwm.edu
Your video will become part of a playlist that will be exhibited at the Union Art Gallery.
I have just returned from a two week excursion in Italy. It was a great time for thinking and helped me to slow down, rearrange my thoughts, and relax. For most of the trip I was in a region called Le Marche on a farm (Lavandablu.com) near the city Carassai. Below are some photos from the area. Soon to follow will be some drawings/paintings done on the trip, but for now photographs:
The gallery I work at (UAG) has a pretty badass show going on currently called Flora/Fauna. If any of you are in the Milwaukee area or are passing through, definitely check it out. I did a post on Roxanne Jackson awhile back, some of the work in that post is worth looking at. Here is what we have in the show:
At the artist talk before the opening of the show Roxanne discussed the ideas surrounding her work. Transformation from man into creature or beast is a recurring theme as well as animal hybrids. I agree with Roxanne in that such a transformation is a fantasy, that we are already beasts, yet we often fear our animal nature in desperate attempt to feel superior. I don’t care so much for her works with wigs, but her ceramic heads and animals are fantastic. They draw on goth and horror aesthetics. Being a metal head I find much of her work exceedingly, specifically the black heads with jaws pushing out of the human mouth.
Kako’s usage of paper started in a happenstance sort of way. She’s always been using paper as a drawer, but many years ago she just sort of started cutting it one night. What ensued was a series of beautifully crafted and composed artworks. A large theme in her work is life and death. Life needs death and death life. To depict this she uses imagery of plants, insects, eggs, a skull, and faces. In her work “Totem” (the red paper cut outs above) are a string of narratives composing her own totem pole of sorts. Clown imagery is drawn from her mother’s interest and collection of clown dolls. The other narratives are privately inspired and we can only conclude them in our imagination.
Current Talk